For two months in the spring of 1951, 70 artworks were exhibited in an abandoned warehouse on East 9th Street in New York City. A mix of painting and sculpture, the 9th St. Art Exhibition marked the official debut of the Abstract Expressionist movement, including the careers of 11 celebrated women artists who had, until that point, been largely excluded or unnoticed by the art establishment: Elaine de Kooning, Perle Fine, Helen Frankenthaler, Grace Hartigan, Marguerite Guitou Knoop, Lee Krasner, Joan Mitchell, Anne Ryan, Day Schnabel, Sonja Sekula, and Jean Steubing. Author Mary Gabriel, in her book "Ninth Street Women," describes the show as "a symphony of color and line, a wall of noise so declarative it could no longer be denied or ignored.”
Lee Krasner was known for wearing workmen's clothing or a tried-and-true pairing of paint-splattered rolled-up blue jeans with a heavy sweater. Grace Hartigan's personal style mirrored her resourceful approach to artmaking. Just as she scoured the streets of New York for discarded canvases and stretchers to repurpose and used house paint instead of costly oil paints, she borrowed from the boys sartorially, wearing an army surplus jacket, blue jeans cinched at the waist with a men's belt, and work boots, her blond hair chopped roughly to just below her ears. Joan Mitchell was typically seen in wrinkled men's shirts and jeans under a fur coat. In her favorite piece, a simple light brown leather trench coat, she exuded an intimidating blend of toughness and glamor. At a time when most women's clothing was designed to physically limit them to a narrow set of roles in society, these artists broke tradition in the name of making.